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Future Noir: The Making of Blade Runner Paul M. Sammon, Paul M. Sammon
Publisher: HarperCollins Publishers

Compilation made by toronto.com out of IMDb.com; Future Noir: The Making of Blade Runner; The Guardian; Toronto Star interviews. I suggest that those of you who still aren't convinced that Deckard is a replicant, 16 years after the release of the Director's Cut, read Paul M. As long as we control it we are comfortable with it. I'd write more Blade Runner articles here, but it'd be an exercise in redundancy – for anyone who's read Paul Sammon's Future Noir: The Making of Blade Runner, then what more needs to be said? I started with the Workprint on disc five and meandered through that and its commentary with Paul M. Sammon, author of Future Noir: The making of Blade Runner, the definitive book on its subject. The crew called it "The Hate Scene", according to Future Noir: The Making of Blade Runner. Director Ridley Scott credits the “future noir” look of the movie Blade Runner to Nighthawks. Sammon, the Author of Future Noir: The Making of Blade Runner, talks to Alexis about his experiences and observations on set, the many obstacles that came up in production and the true message of the film. Sammon, author of "Future Noir: The Making of Blade Runner". The "love" scene from Blade Runner where Deckard forcibly seduces Rachael features a Take That Kiss. But then that's coming from a rabid fan of the film who as coincidence would have it just finally read PK Dick's novel from which it was based, followed by Paul Sammon's “Future Noir: The Making of Blade Runner.”. Blade Runner is very open with that idea and tackles that issue of fear head on. Will it similarly be viewed as a late-blooming masterpiece, 30 years from now?